Anne Lebreton-Launes, figurative sculpture France Born in 1982, Anne Lebreton-Launes spent her school years drawing in the margins of her notebooks; she joined the faculty of Arts of Bordeaux III and graduated in 2005. Then she explored manual trades, which deal directly with materials: leather work, traditional masonry, carpentry joinery … She completed her first […]
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Eve Shepherd, figurative sculpture, portrait sculpture This year Eve celebrates her 22nd year as a professional figurative sculptor. Eve started her career as a sculptor aged just 17, working as an apprentice to established animal sculptor Anthony Bennett. Bennett quickly recognized Eve’s natural ability with clay and the human form and after only 4 short
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A painter goes into the third dimension I’m a figurative artist, and have done lots and lots of drawing from life, working from photographs, and making composites of drawings, photographs and my own drawings. It takes a certain mindset and orientation to translate that three-dimensional world into the confines of a 2-dimensional flat surface. I
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Marilyn Ines Rodriguez, dramatic figurative sculpture Artist Statement I believe only when the blending of our intellect and vulnerability, anatomical knowledge and intuition will the artist experience that je ne sais quoi or being in the zone. This is a most unique and rewarding feeling, which in spite of all the external opposing forces, gives
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Jocelyn Braxton Armstrong, porcelain gesture sculpture Gesture is what interests me. Body language is beguiling. Gesture naturally conveys movement but can also be passive or submissive, playful or seductive, regal and proud. Gesture can tell a story. My studio practice has evolved into an ongoing exploration of figurative ceramic sculpture and installations created with paper-thin
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Charlie Mostow, figurative sculpture student I’d like to know what you think: What’s the purpose of being a figurative sculptor and what you do to achieve it? Is sculpture spacial, pictorial, or some combination of both? I’m a 4th year core student at the Grand Central Atelier in New York and I am a sculptor.
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Coudari, figurative sculpture from Montreal During the process of my work I try to not lose sight of the quest for simplicity, because in my opinion, it is in the simplicity that a work can demonstrate its strength. Too often the abundance of details stifle the work, as the essence of a speech may become
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Tricia Cline, Exiles in Lower Utopia EXILES IN LOWER UTOPIA This body of work is an ode to the Animal, its ability to perceive, and our return to that perception. An animal is its very form. Its function is its form. A dog runs at full speed, a distinct scent or sound alters its direction.
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