Feuerman’s sculptures have a common thread that touches all of us, masking time and space. The powerful stories they tell of strength, perseverence, and balance, speak to collectors and observers alike.
Carole A. Feuerman is recognized as a pioneering figure in the world of hyperrealist sculpture. Dubbed ‘the reigning doyenne of super-realism’ by art historian John T. Spike, Feuerman’s prolific career over four decades, has solidified her place in the rhetoric of art history. She has been the subject of six museum retrospectives to date. Her works continue to be exhibited worldwide. In Italy, she has exhibited in four of the Venice Biennales, the Piazza della Repubblica, and the Teatro Romano e Museum Civico in Fiesole. In Asia, she has exhibited in Harbour City; Hong Kong, The National Museum of China, Shanghai, and the Daejeon Museum and Suwon Museums in Korea. Numerous public sculptures have appeared in outdoor venues, including Petrosino Square in New York City and the Frederik Meijer Sculpture Gardens in Grand Rapids, Michigan.
Carole A. Feuerman